This is the 2nd in a series of posts about useful iPhone apps for film and video production.
In the beginning, directors and photographers framed their shots with two hands, spreading thumbs and forefingers at right angles, then raising them together to define a rectangle.
Simple and cheap. Analog and infinitely adjustable. But inaccurate for defining aspect ratios, impossible to calibrate to particular focal lengths, and, well, a bit pretentious to watch.
So years ago, I bought my first director’s viewfinder, made by Birns and Sawyer, a metal cylinder with focal length scales for 16mm and 35mm on the sides. Twist the cylinder: the magnification increased or decreased, and the view appeared to zoom in or out, showing an . . . CONTINUE READING: Production APPtitude: Artemis Director’s Viewfinder
This is the first in a series of posts about useful iPhone apps for film and video production.
In the past few months, during my shoots overseas, I have been confronted by producers, crew members, drivers, waiters, and ordinary folks on the street, using iPhones for texting, tweeting, gaming, emailing, translating, navigating, Facebooking, computing currencies, listening to music, showing photos, shooting video, sometimes even talking on the phone … and exploring new apps created to help people like us, who work in film and video production.
Apple products have long been popular with folks in the visual media. In the US, I am used to seeing Macs and iPhones on production crews; sometimes nearly everyone has one! But recently, . . . CONTINUE READING: Production APPtitude: Sun Seeker
I’m hunkering down at home right now after a three-week trip through Europe and South America to shoot a global corporate medical film. Our route took four of us – and 13 cases of video and audio gear – drifting through the Netherlands, Switzerland, Germany, and Brazil. Plus one day shooting here in the San Francisco Bay Area last Monday.
Tomorrow, Sunday, we go to China to finish shooting the project. It will be the fourth continent on this shoot for DIT Jim Rolin and me. Director David Rathod and producer Anne Sandkuhler joined us for the travel legs in Europe. After shooting at three locations in the US, director Randy Field and producer Lori Wright then joined Jim . . . CONTINUE READING: Continental Drift