My book SHOWDOWN at SHINAGAWA tells true stories from my long career as a director of photography, working on film and digital cinema shoots across the U.S. and all around the world—Japan, India, China, Uganda, the Philippines, New Zealand, France, Singapore, England, Taiwan, Mexico, and Brazil.
The book has recently been honored as a Commended Winner in Non-Fiction in the 2014 Self-Publishing Review Awards. One of the three highest non-fiction awards!
A cheeseball rig is a setup where necessity spawns bizarre offspring, where crewmembers put the gear together in a new and odd way, often because of a missing item, which would have made life much simpler. Like the NASA guys ingeniously kluging together an improved air scrubber on Apollo 13, using only materials on hand … duct tape, baling wire, paper clips. Innovation in the face of adversity.
Most of all, it has to be funky.
At least four or five times – and twice in the last year – I’ve had the pleasure of working with a gaffer in China, a lighting professional from Hong Kong with the unlikely name of Dragon Lau. Dragon often works with Andrew Leung of Asia Films . . . CONTINUE READING: Dragon’s Cheeseball Rig
This is the first in a series of posts about useful iPhone apps for film and video production.
In the past few months, during my shoots overseas, I have been confronted by producers, crew members, drivers, waiters, and ordinary folks on the street, using iPhones for texting, tweeting, gaming, emailing, translating, navigating, Facebooking, computing currencies, listening to music, showing photos, shooting video, sometimes even talking on the phone … and exploring new apps created to help people like us, who work in film and video production.
Apple products have long been popular with folks in the visual media. In the US, I am used to seeing Macs and iPhones on production crews; sometimes nearly everyone has one! But recently, . . . CONTINUE READING: Production APPtitude: Sun Seeker
I’m hunkering down at home right now after a three-week trip through Europe and South America to shoot a global corporate medical film. Our route took four of us – and 13 cases of video and audio gear – drifting through the Netherlands, Switzerland, Germany, and Brazil. Plus one day shooting here in the San Francisco Bay Area last Monday.
Tomorrow, Sunday, we go to China to finish shooting the project. It will be the fourth continent on this shoot for DIT Jim Rolin and me. Director David Rathod and producer Anne Sandkuhler joined us for the travel legs in Europe. After shooting at three locations in the US, director Randy Field and producer Lori Wright then joined Jim . . . CONTINUE READING: Continental Drift