If the eyes truly are the windows to the soul, don’t we want to see them when we ask someone to be thoughtful, frank, and honest? Don’t we want to look into their eyes – and have them look into ours – to see if they’re telling the truth?
When I’m shooting interviews on video or film, the subject often asks whether to look directly into the lens, or off to one side at the interviewer. Worst case is when he or she doesn’t know where to look and glances about wildly, desperately seeking eye contact and approval, and appearing to all the world like a shifty-eyed no-goodnik. This can cause even unsophisticated audiences to mistrust the person they’re watching.
Historically, most movies use an objective camera style, where actors in closeup look to one side of the camera. Having actors look directly into the lens – subjective camera style – can be extremely disarming.
. . . CONTINUE READING: Taming the Wild Eyeline