At a climactic moment in a rock video, the camera moves in on the guitar strings, bringing us closer and closer to the fingers of the player, then impossibly close, then we slip past the strings and enter the hole in the guitar.
In a movie about Las Vegas, the camera looks up from deep in the well of the craps table as the dice come tumbling by us, very close, and very large. In a gangster movie, the camera sits on the velvet surface of a pool table and looks up at the rack of balls, just as the cue ball comes crashing in. In a road chase, the camera speeds along, crazily close to the ground, then passes unscathed under three vehicles. In another scene in a bowling alley, the camera hurtles down the lane toward an inevitable collision with the pins. . . . CONTINUE READING: NAB 2011: Innovision